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wonderful vid, and some excellent results.

Many thanks for your video. When I see that, I just want to grab my camera and going outside 😊

Nice work Andrew , great to see your street works.

You need a diffuser for the on camera flash, at least that is what I use

Nice video and great pictures Andrew

Wonderful!

I think the B&W version of the castle has much more drama and I also really like the sunset shot of the refuge hut at the the of the film. Well done for putting the seal pups health to the top of your concerns.

B&W Castle for me.

I loved image 2. Those clouds were amazing. I do see your point though. What part am I supposed to be seeing. The clouds or the buildings?

Great video Andrew

Hi Andrew, wondering if you'd be able to do a masterclass video on snapseed. Explaining every tool. What it does etc. I've watched a couple of others but get lost with what's going on. I realise it would be a very long video. Maybe do it in 2 parts? Thanks mate 👍

Wow!

Lovely images Andrew and so good to see a happy ending for the seal pup. Inspiring as ever!

Magnificent!

What do you think about Fujifilm X-T20 with fujinon 18-55mm lens? How much is good max price for used body (only)?

Great photos from that session

Glad to see the seal return to the water 😊 good you looked it up before doing anything

B&W of castle is a special image - well done. Post earns “Seal of Approval” - couldn’t resist the pun😊. Cheers!

Nice photos 👍

Outright beautiful ❤❤❤ … definitely a place I want to go. Would you mind telling me when you went. Thank you, cheers 😊

Great photos! So glad you took time with the seal!

Beautiful pics, the video makes me want to go out with the camera

I thought you might have tried to incorporate the fisherman into the shot of the castle: a shoot missed this time around.

The other worthwhile place to visit down the east coast is Bamburgh castle if you’re looking for another worthy subject.

That takes me back when I used to make deliveries onto Lindisfarne and the need to watch the time so as not to be stuck there. It’s a long time ago now too… There was an episode of Vera done on the island not long ago and is worth the watch 🏴󠁧󠁢󠁳󠁣󠁴󠁿

So beautiful ❤❤❤

Fantastic Andrew really enjoyed that especially as I'm going there in September thanks very much for sharing mate

Fantastic content and range of shots. I especially like the single point perspective photo of the elevated hut and receeding peers. Also, there is good light and balance between the boat and castle.

Hi Andrew , really enjoyed your video and great photos 👍

Nice photos. Thanks for sharing.

Hi andrew. Enjoyed video on lindisfarne. Looks beautiful but desolate. Best regards from James in Scotland.

Andrew, you have captured the mood and faces of the people, very interesting photos.

I love what you did with the sky. It looks very dramatic. Really makes the moss pop. And what a wonderful colour the moss is! Thanks for the video.

Criminally underrated channel. Such fantastic pictures.

Great video Andrew. Thanks. One thing that did keep drawing my eyes away from the mushroom was just to the right of the mushroom are two little flowers or leaves that are blue. I think I'd maybe try and get rid of those. Even though I know we shouldn't play with what nature has already put there. Still a great video. Really enjoyed it.

Really enjoyed your video today. The blurred motion photos look great.

Wow! That looks fantastic! I'm making my way through all of your videos started at "who is this guy" I'm learning so much. Thankyou

Still working my way through your (excellent) videos, and i've found this one in particular hugely beneficial. In my own LR workflow I've been guilty of always applying changes globally to the image, and this has shown me how I can get a more natural effect on a lot of images with selective changes. Secondly, As I used to prepare images for printing, I''ve always stuck to 3:2 crops. Why - It's crazy ! let the image decide the format ! Thanks again for sharing. Your channel has really rekindled my love affair with photography

why Jpeg? nice video btw

The ability to see a quality shot before even raising your equipment is a great superpower to have. Great work and eye

Nice job wnd thank u

Can I use my 24-70 or 70-200?

Back in 1972 I got a job assisting top wedding photographer/teacher Monte Zucker who rose to fame based on his technique of using dual flash to control scene range so the groom’s black suit and bride’s white dress would both be correctly exposed on color prints used in the wedding albums. This requires two light sources: Fill to lift the entire scene to the point the film or sensor can record shadow detail at the aperture desired for DOF, and then; overlapping an off axis Key light over the Fill to create highlights, raising its power until the highlights are correctly exposed and ENTIRE SCENE RANGE MATCHES RANGE OF PRINT PAPER or today the fixed range of the camera sensor. I had actually learned that before going to work for Monte from a Kodak “How To Take Portraits” book which suggested placing Fill light directly behind and above the camera (projecting its shadow down out of sight of lens) and key light over the head of the subject 45° to the side of the nose to duplicate the 3D modeling produced by the noon day sun. It worked so well my girlfriend / model used the portrait in the school yearbook instead of the one taken by the photographer the school had hired. I’ve always used the centered-fill / key light approach when using flash because it is the only way to always record a full range of detail with NATURAL 3D rendering regardless of subject size. After my career took me in a different direction - into the photo lab at National Geographic - I continued to use dual flash for my personal work in 35mm and med. format with fill flash always on a bracket over the lens and off camera flash on a stand. Since getting my first digital camera in 2000 I’ve used the same Stroboframe camera-flip bracket for my on camera flash and as linked below created my own DIY diffuser for creating on-axis fill for macro shooting. What you discovered, which most shooting macro don’t realize, is that the traditional macro flash lighting strategies, ring or two flashes on axis at opposite 45° both create a full range if detail in most situations but the angle of the lighting and the shadow and specular highlight clues that our brains use to see 3D shape in 2D reproductions are in the ‘wrong’ places on the subjects in that they do not match the PATTERNS of highlight and shadow the sun creates. Ring flash was actually developed by Nikon back in the 1960s to document surgical and dental procedures where the goal was flat even lighting in deep body cavities and being able to keep camera and flash sterile by wrapping it with a drape. Crossed flash lighting provides key and fill but where the shadows from both flashes cross you get ‘cross-shadow lighting’ and no detail on any shadows they create. The solution to get fill on axis over the lens is solved by the type of macro diffuser many macro shooters now use for single flash shots. I created and published plans for one about 15 years ago on my web site and photo forums when I started doing dual flash macro: photo.nova.org/MacroDiffuser/ using my two Canon 580ex flashes. The diffuser on the off camera flash is also one I created and published plans for at photo.nova.org/DIY01/ The advantage of dual flash vs single flash off axis is precise control of the scene range to ensure that detail is always recorded in the shadows illuminated by the on-axis fill source. A single flash flash off axis creates shadow that need some source of fill and any fill source placed on the opposite side from the key light (e.g. reflector) will to some degree create ‘crossed shadow’ lighting with no detail in low areas and the specular highlight clues the fill creates will not match the pattern seen in natural light where the fill source usually does not create any shadows or specular highlights. A more natural look can be obtained in dual flash shots by cloning out any ‘catchlights’ the fill creates or placing them on the upper surfaces of 3D objects which is accomplished by keeping fill source above the lens and wrapping it around the sides of the subject as much as possible to mimic skylight fill, the perceptual baseline for ‘’normal”.

I’m glad I’m not the only one that finishes a video 5-6 months after the event lol. Loved the video.

Your images are beautiful, that being said! Can you ditch the video attached to the camera setup? It's annoying as a viewer constantly looking at the floor because your camera is down "for obvious reasons" either a chest mount or hat mount would be ideal so we can see the area around you. The camera has beautiful black and white tones.

Your photography is so versatile and love that you did this. 👏👏👏

I like this video. Thanks for sharing these tips. Especially when they are token from my city, Barcelona.

Enjoyed, only legs walking thru the foreground could be interesting if the composition happened to be right. Learned to use LCD for composing, should disturb people less than using viewfinder.🎉🎉🎉🎉

Thanks for sharing Andrew. It`s a great video showing how to 'see' as a photographer, things I struggle with (give me a landscape to shoot and i'm good to go). You managed to get some great shots too

Fun way to spend some boring time. I'll think of that next time I'm at such a location or the airport etc.!